The famous singer, musician, and actor posted a behind-the-scenes glimpse of his recently released song. It is a Pashto song named “Larsha Pekhawar” and it releases on 22nd September on YouTube. Easy on ears, and quite lovable.Pakistani singer Ali Zafar released a new video song on YouTube. The way instruments in the background are not kept limited to background only, it reminds one of older songs of the industry. The second song ‘ Tu jaanay na‘ is a lighter one, which Ali sings in that easy going style he has been most popular for. One expects the song to be liked in time as one listens to it.
And while the song relies less on Western instruments and more on Tabla etc, Ali’s heavy voice (remember teri yaad aayi and jugnuon se bhar le aanchal) makes the song a bit heavy, but good nonetheless. The song is a Sufi style one, quite different from the songs Ali is known for. Well, after the small surprise on the cover, I was in for another surprise as I heard the first song, dil jhoom jhoom chale soneya, or simply Jhoom. Yes, Ali’s third album, Jhoom is out on none other than our very own YRM. But now, a bit surprisingly, Yashraj Music actually gets their first private album by a singer from Pakistan, Ali Zafar.
#MASTI SONG ALI ZAFAR MOVIE#
Yashraj Music was launched with a movie which had Indo-Pak ties in its background, Veer Zaara. PS: One interesting thing about the album is that even though Yashraj use a new composer here, many of the singers are the ones who have sung a lot for YRF, with their regular composers Salim-Sulaiman, especially Benny Dayal, Neha Bhasin and Shweta Pandit. Go buy it if you like typical hit soundtracks of Bollywood.
#MASTI SONG ALI ZAFAR PLUS#
Be it the title song or Dhunki, Isq risk or Madhubala, the composer is quite clear on what he wants the song to do and I feel that it would be a big plus for the movie. Overall, MBKD is a typical Yashraj album with songs that will be liked instantly by the public. The song, with a little Punjabi flavor in it, mostly because of Shahid’s singing style and percussion based arrangements, is quite fast paced and enjoyable, though doesn’t look like very long lasting. After Naina wali Whiskey in Sahi Dhandhe Galat Bande and with Mausam lined up for him, it’s the third place I have seen his name in this week, for Do Dhaari Talwar here. Shahid Mallya, another name that is a bit new for me, is growing up quite fast nowadays. It’s his signature ‘Masti’ that literally shows up here, nicely supported by Shweta Pandit. I don’t think I want to use any other word for the song. Irshad Kamil’s words are lovely here.Īli Zafar’s only entry in the soundtrack, Madhubala is simply enjoyable. Sohail Sen’s melody is a bit ’90s in its treatment, but with Rahat singing, the song sounds pretty nice. Isq Risk, the next song, sung by Rahat Fateh Ali Khan, gives a little small surprise in the beginning as you hear a radio (read AIR) style prologue to the song, telling whose music and words the song has. Aditi Singh Sharma is as soft and husky with her voice here as she always is. Yes, it’s bad how I still don’t get Benny Dayal’s voice after so many of his songs that I completely love. The next song Chhoo Mantar is, I would say, a typical Sohail Sen piece, with his signature beats, and if I didn’t know it from the cover, I’d say is sung by him as well. She’s been good in some Salim-Sulaiman songs earlier, in Fashion, as well as Pyaar Impossible, but this could be the song that would restate her entry into Hindi film industry. While the music is lovely, it’s Neha who surprises me with her lovely singing here. I was still in the first song when a chorus broke into some rocky words and Neha Bhasin into Dhunki Dhunki Dhunki laage. The album starts with the title song Mere Brother ki Dulhan, a fast paced, quickly addictive, likable number with some interesting lyrics from Irshad Kaamil sung by KK. Here is a review of his entry into YRF, Mere Brother ki Dulhan. Sohail Sen for the first time gets something worthwhile outside Ashutosh Gowariker’s camp, and he looks keen on making it big.
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